TITLE PAGE
       MARGARET MEE AND THE MOONFLOWER
THE BEGINNING
MARGARET MEE'S AMAZON
THE MAKING OF  'THE MOONFLOWER'
PORTUGUÊS
THE MAGIC OF THE MOONFLOWER   for photos , video clips, feature stories and background info
SITE MAP
SITE MAP FOR VIDEO AND AUDIO
CONTACTinfo
THE MARGARET MEE ARCHIVE on NONESUCHinfo is the place to find more about this exceptional artist
A TIME LINE OF HER LIFE
A SHORT HISTORY OF HER AMAZON TRUST
HER MAJOR BOOKS PUBLISHED BEFORE HER DEATH
TONY MORRISON'S SEARCH FOR THE SECRET LIFE OF THE FACE BEHIND THE FLOWERS
 

Tony Morrison is a writer specialising in topics from South America. When he met Margaret Mee in 1987 he was actively involved with television production and following a career he began as an independent producer for the BBC [London]. Margaret's life story had been just one of several Amazonian ideas that had fascinated him since visiting Rio de Janeiro in 1970. A close friend of Margaret's told him about the opposition to Amazonian development being voiced quietly by her and her artist companion the internationally recognisd Brasilian landscape architect Roberto Burle Marx. Tony felt that together they could have been the subject for a television documentary. At that time the future of Amazonia was a growing concern worldwide and with his wife Marion, Tony had just completed a film about the earliest days of of the Manú National Park in the Amazon forests of Peru. The film, the first to be made in Manú was shown on BBC TV and screened in London at the Second International Congress of the World Wildlife Fund [WWF]. The Manú Park is now one of the world's greatest reserved areas and holds an unrivalled biodiversity.

Rio Manú,Peru, 1969.Photo Marion Morrison

A meeting in Rio  Although their paths almost touched on many occasions it was not until early March 1987 that Tony finally met Margaret at her home in Rio de Janeiro when she showed him some finished paintings, folios, notes and diaries of her Amazon journeys. He was astounded that someone who was so highly acclaimed had not been able to have a book of her journeys published or that other film-makers had failed to get a production off the ground. In Brasil Margaret had been honoured with the Freedom of Rio de Janeiro and the Cruzeiro do Sul, the highest merit for foreigners. From her home country Great Britain she had been awarded the MBE [Member of the British Empire], she was a Fellow of the Linnean Society in London and had been awarded a silver Grenfell Medal for her art. Tony and Margaret and corresponded frequently during 1987.  A plan with two aims developed quickly. The first was for a book of her paintings and travels and the second was for a televison film to coincide with the publication. The plan had the working title Margaret Mee's Amazon and the finale was to be a search for an elusive cactus, or the Moonflower of the flooded Amazonian forests. The challenge was to find the flower that blooms just once a year in the middle of the night and dies with the dawn.

The original idea was presented in 1987 in a spiral- bound folder with the painting of Gustavia pulchra on the cover and an inset picture of Margaret Mee by Sally Webster

Journey 15 The Moonflower The story of the successful search was first told as Journey 15, 1988, The Moonflower in the book In Search Of Flowers of the Amazon Forests and was written by Tony. The film plan was changed at the last minute to become a 'pilot' [test run] for a larger production.With support from friends in Brasil the flowering and successful painting were recorded in television qualty video. Before Margaret died in a car crash in December 1988 the intention had been to use the pilot to find international producers and support from Brasilian television. Tony making notes by the Moonflower, Rio Negro, 1989 [Photo:Brian Sewell]

Readers of the published transcript of her interview on the MacNeil-Lehrer Hour in the USA may have spotted how when asked by Robert MacNeil if she intended to return to to the Amazon forests she answered  "Yes. Definitely"  and even named the month. She was less certain about her goal as she was simply taking care not to reveal plans already being made for a television backed repeat of her last journey.   She had promised Tony that she would not divulge the dates or too much about the Moonflower cactus destined to be core of the plot.

The Margaret Mee Amazon Trust  The Margaret Mee's Amazon folder was the starting point for fund raising ventures for the embryonic Margaret Mee Amazon Trust created in 1988 to purchase her collection of paintings for safekeeping and to provide scholarships for Brasilian students. The title was used for exhibitions including one staged by the Royal Botanic Gardens, Kew [London] just before her death. Another was sponsored by Christies the fine art auction house at the stately Harewood House, Yorkshire [England] in 1990.  Fifteen years later in 2004 the RBG Kew co-published a collection of paintings, sketches and her diaries with the same title. The new book does not include the final journey written by Tony as it was not one of her original diaries. So to fill the gap her last Journey will appear on this site.

The film, sound recordings of Margaret and detailed notes from the original search will be available as the site is developed
The story of the search and the team who helped with the 'pilot' film are on this site
More about Tony and Marion Morrison can be found under Resume on South American Pictures.
The Trust was closed in 1995 and the work passed to a committee based at the Royal Botanic Gardens, Kew [London] from where the scholarship fund now operates as the Margaret Mee Fellowship Programme

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'I know my death will not be the end of my work. Wherever I go I will try to influence those who are destroying our planet, so the earth will have a chance to survive'      Margaret Mee in Brazil, 1988